
After WWI, Whale began working in
London as a stage designer. Working closely with Nigel Playfair, Whale held
roles in acting, directing, and stage directing. He caught his break when asked
to direct an unknown play entitled Journey’s
End. The play became extremely popular in England, and was even noticed by
people on Broadway. This led Whale to move to America, where he briefly lived
in New York before moving to Hollywood.
After a brief stint with Paramount
Pictures (15 days), Whale signed a five year contract with Universal Studios.
He began directing movies for them and in 1931 Carl Laemmle Jr. gave him access
to every script that Universal owned. He picked Frankenstein because it was the
only one he actually liked. This went on to be one of his most famous works;
along with The Old Dark House, The Invisible Man, Bride of Frankenstein, and
Show Boat.
After having his health decline due
to a stroke, Whale committed suicide in a pool. This was ironic because he had
a morbid fear of water his entire life. His suicide note was very depressing;
stating that all he had to look forward to was illness and death.
The decision to end Frankenstein on a happy note, with the monster dead and the Dr. in recovery, is in contrast to the resolutions of previous Noir films we have watched. One might say the ending was "anti-noir" in a way.
ReplyDeleteIt's one of the ways (somewhat contradictorily) that horror differs from noir, a "happy" (or at least not entirely grim) ending.
ReplyDeleteCould this be that it was maybe a little pre-noir (1931)? I agree being more horror than noir may have something to do with it, but even if the Hays Code was just starting to get informed, then maybe they wanted it to be good (doctor?) survives over monster = happy, positive, good morals story.
ReplyDelete